{"id":3972,"date":"2023-10-29T11:23:53","date_gmt":"2023-10-29T11:23:53","guid":{"rendered":"https:\/\/lagaleriaroja.com\/?post_type=product&p=3972"},"modified":"2025-09-24T05:02:04","modified_gmt":"2025-09-24T05:02:04","slug":"workshop-de-pintura-con-carlos-san-millan-2","status":"publish","type":"product","link":"https:\/\/lagaleriaroja.com\/en\/producto\/workshop-de-pintura-con-carlos-san-millan-2\/","title":{"rendered":"PAINT WORKSHOP with Carlos San Mill\u00e1n."},"content":{"rendered":"

PAINTING WORKSHOP with Carlos San Mill\u00e1n.<\/strong><\/p>\n

DATE<\/strong>: 18, 19 & 20 October, 2024.<\/p>\n

SCHEDULE<\/strong>:<\/p>\n

Friday<\/strong> from 6:00 p.m. to 10:00 p.m.<\/p>\n

Saturday<\/strong>. 10:00 a.m. to 2:00 p.m. and from 4:00 p.m. to 8:00 p.m.<\/p>\n

Sunday<\/strong>. 10:00 a.m. to 2:00 p.m.<\/p>\n

DURATION<\/strong>: 16 hours<\/p>\n

PLACE<\/strong>: La Galer\u00eda Roja C \/ Peral, 57. 41002, Seville.<\/p>\n

LANGUAGE<\/strong> during the workshop: English and Spanish.<\/p>\n

PAINTING WORKSHOP with Carlos San Mill\u00e1n.<\/strong><\/p>\n

Day 1:<\/strong><\/p>\n

\u00b7 Brief introduction:
\n\u00b7 My idea of painting. Choice of themes. artistic philosophy.
\n\u00b7 Brief description of my technique and materials.
\n\u00b7 The photographic image as a starting point, not as an end.
\ndemo:
\n\u00b7 Types of bases (underpainting) depending on the theme, light and color.
\n\u00b7 Coherence and unity of the painting from the beginning.
\n\u00b7 Student practice with individualized supervision.<\/p>\n

Day 2:<\/strong>
\nBrief technical talk:
\n\u00b7 The different tools and their footprint or print.
\n\u00b7 Chance as an ally.
\ndemo:
\n\u00b7 Detail work: recovery of the drawing on a dry surface
\n\u00b7 Centers of interest and visual route in the work.
\n\u00b7 Clean color and shade.
\n\u00b7 Student practice with individualized supervision.<\/p>\n

Day 3:<\/strong><\/p>\n

Brief technical talk:
\n\u00b7 Relaxed dialogue with the work: Discover what is asked of us, or what is left over through the
\npartial observation
\ndemo:
\n\u00b7 Final stages: Detect specific problems in the painting and resolution of the painting.
\n\u00b7 Student practice with individualized supervision until the end of the day and the workshop<\/p>\n

MATERIALS FOR THE WORKSHOP:\u00a0<\/strong><\/p>\n

Supports:<\/strong>
\nI always work on a rigid support, quality 4\/5 mm plywood thick primed with Gesso (3 or 4 coats with sanding in between).
\nFor the workshops I recommend primed boards in small formats (between 5 and 8 Figure or Landscape) or directly a block of paper suitable for oil in Din A3 size to be able to experiment without the limitations of a single support.
\nMedium:<\/strong>
\nTurpentine
\nLiquin W&N (to speed up drying)
\nBrushes and brushes:
\n2 or 3 flat brushes with natural hard bristles (flat brushes) with a width between 3 and 8 cm
\n3 or 4 flat brushes with natural hard bristles, not between 2 -12\/15 approx.
\n3 or 4 Flat synthetic brushes with soft bristles, not between 2 – 12\/15 approx.
\n2 or 3 round pointed brushes, not between 2 -10 approx.
\nOther tools and materials:<\/strong>
\nSolvent (preferably odorless) for cleaning brushes
\nI usually use metal spatulas from a hardware store between 5 and 20 cm wide (it is necessary to sand the ends and the edge a little so that they are not so aggressive with the support). If you have artist spatulas you can bring them too.
\nLatex gloves (some pigments like cadmium are toxic and I am very prone to putting my fingers in the paint)
\ncotton rags
\nAs a palette I use a glass of about 50 x 50 cm on a side table<\/p>\n

Personal palette at this time:<\/strong>
\nThis is just information for students, they can bring their own colors to the workshop.
\nMy palette is variable and often redundant, in reality I continually add and remove pigments and test brands based on my experience with them.<\/p>\n

Blanco Titanio
\nBlanco Zinc
\nAmarillo Lim\u00f3n<\/p>\n

Amarillo Cadmio
\nAmarillo Ocre Claro
\nAmarillo Indio
\nAmarillo N\u00e1poles Claro
\nAmarillo N\u00e1poles Rojizo
\nRojo Cadmio
\nRojo Carm\u00edn Oscuro
\nRojo \u00d3xido o Veneciano o similar
\nVioleta Oscuro
\nVioleta Gris
\nAzul de S\u00e8vres
\nAzul Cobalto
\nAzul Ultramar
\nAzul Prusia
\nVerde Permanente
\nVerde Sap
\nVerde Cromo
\nVerde Viridian Hue
\nSiena Natural
\nSiena Tostada
\nSombra Natural
\nSombra Tostada
\nGris Payne<\/p>\n

The brands I usually use are W&N, Titan, Georgian<\/p>\n

For the workshop:<\/strong>
\nQuick-drying acrylic and\/or alkyd (Griffin):
\nI always work with oil on previously dried layers, in several paintings at the same time. In this case, due to time limitations, we will have to use materials that allow drying as quickly as possible. It would be highly recommended that students bring quick-drying colors, whether acrylic or Griffin-type alkyd, and\/or drying medium.<\/p>","protected":false},"excerpt":{"rendered":"

PAINTING WORKSHOP with Carlos San Mill\u00e1n.<\/strong><\/p>\n

DATE<\/strong>: 18, 19 & 20 October, 2024. .<\/p>\n

SCHEDULE<\/strong>:<\/p>\n

Friday<\/strong> from 6:00 p.m. to 10:00 p.m.<\/p>\n

Saturday<\/strong>. 10:00 a.m. to 2:00 p.m. and from 4:00 p.m. to 8:00 p.m.<\/p>\n

Sunday<\/strong>. 10:00 a.m. to 2:00 p.m.<\/p>\n

DURATION<\/strong>: 16 hours<\/p>\n

PLACE<\/strong>: La Galer\u00eda Roja C \/ Peral, 57. 41002, Seville.<\/p>\n

LANGUAGE<\/strong> during the workshop: English and spanish.<\/p>\n

PAINTING WORKSHOP with Carlos San Mill\u00e1n.<\/strong><\/p>\n

Day 1:<\/strong><\/p>\n

\u00b7 Brief introduction:
\n\u00b7 My idea of painting. Choice of themes. artistic philosophy.
\n\u00b7 Brief description of my technique and materials.
\n\u00b7 The photographic image as a starting point, not as an end.
\ndemo:
\n\u00b7 Types of bases (underpainting) depending on the theme, light and color.
\n\u00b7 Coherence and unity of the painting from the beginning.
\n\u00b7 Student practice with individualized supervision.<\/p>\n

Day 2:<\/strong>
\nBrief technical talk:
\n\u00b7 The different tools and their footprint or print.
\n\u00b7 Chance as an ally.
\ndemo:
\n\u00b7 Detail work: recovery of the drawing on a dry surface
\n\u00b7 Centers of interest and visual route in the work.
\n\u00b7 Clean color and shade.
\n\u00b7 Student practice with individualized supervision.<\/p>\n

Day 3:<\/strong><\/p>\n

Brief technical talk:
\n\u00b7 Relaxed dialogue with the work: Discover what is asked of us, or what is left over through the
\npartial observation
\ndemo:
\n\u00b7 Final stages: Detect specific problems in the painting and resolution of the painting.
\n\u00b7 Student practice with individualized supervision until the end of the day and the workshop<\/p>\n

MATERIALS FOR THE WORKSHOP<\/strong><\/p>\n

Supports:<\/strong>
\nI always work on a rigid support, quality 4\/5 mm plywood thick primed with Gesso (3 or 4 coats with sanding in between).
\nFor the workshops I recommend primed boards in small formats (between 5 and 8 Figure or Landscape) or directly a block of paper suitable for oil in Din A3 size to be able to experiment without the limitations of a single support.
\nMedium:<\/strong>
\nTurpentine
\nLiquin W&N (to speed up drying)
\nBrushes and brushes:
\n2 or 3 flat brushes with natural hard bristles (flat brushes) with a width between 3 and 8 cm
\n3 or 4 flat brushes with natural hard bristles, not between 2 -12\/15 approx.
\n3 or 4 Flat synthetic brushes with soft bristles, not between 2 – 12\/15 approx.
\n2 or 3 round pointed brushes, not between 2 -10 approx.
\nOther tools and materials:<\/strong>
\nSolvent (preferably odorless) for cleaning brushes
\nI usually use metal spatulas from a hardware store between 5 and 20 cm wide (it is necessary to sand the ends and the edge a little so that they are not so aggressive with the support). If you have artist spatulas you can bring them too.
\nLatex gloves (some pigments like cadmium are toxic and I am very prone to putting my fingers in the paint)
\ncotton rags
\nAs a palette I use a glass of about 50 x 50 cm on a side table<\/p>\n

Personal palette at this time:<\/strong>
\nThis is just information for students, they can bring their own colors to the workshop.
\nMy palette is variable and often redundant, in reality I continually add and remove pigments and test brands based on my experience with them.<\/p>\n

Blanco Titanio
\nBlanco Zinc
\nAmarillo Lim\u00f3n<\/p>\n

Amarillo Cadmio
\nAmarillo Ocre Claro
\nAmarillo Indio
\nAmarillo N\u00e1poles Claro
\nAmarillo N\u00e1poles Rojizo
\nRojo Cadmio
\nRojo Carm\u00edn Oscuro
\nRojo \u00d3xido o Veneciano o similar
\nVioleta Oscuro
\nVioleta Gris
\nAzul de S\u00e8vres
\nAzul Cobalto
\nAzul Ultramar
\nAzul Prusia
\nVerde Permanente
\nVerde Sap
\nVerde Cromo
\nVerde Viridian Hue
\nSiena Natural
\nSiena Tostada
\nSombra Natural
\nSombra Tostada
\nGris Payne<\/p>\n

The brands I usually use are W&N, Titan, Georgian<\/p>\n

For the workshop:<\/strong>
\nQuick-drying acrylic and\/or alkyd (Griffin):
\nI always work with oil on previously dried layers, in several paintings at the same time. In this case, due to time limitations, we will have to use materials that allow drying as quickly as possible. It would be highly recommended that students bring quick-drying colors, whether acrylic or Griffin-type alkyd, and\/or drying medium.<\/p>\n","protected":false},"featured_media":5047,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[94],"product_tag":[],"class_list":{"0":"post-3972","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-workshops","8":"first","9":"outofstock","10":"virtual","11":"taxable","12":"purchasable","13":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/lagaleriaroja.com\/en\/wp-json\/wp\/v2\/product\/3972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lagaleriaroja.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/lagaleriaroja.com\/en\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/lagaleriaroja.com\/en\/wp-json\/wp\/v2\/comments?post=3972"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lagaleriaroja.com\/en\/wp-json\/wp\/v2\/media\/5047"}],"wp:attachment":[{"href":"https:\/\/lagaleriaroja.com\/en\/wp-json\/wp\/v2\/media?parent=3972"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/lagaleriaroja.com\/en\/wp-json\/wp\/v2\/product_brand?post=3972"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/lagaleriaroja.com\/en\/wp-json\/wp\/v2\/product_cat?post=3972"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/lagaleriaroja.com\/en\/wp-json\/wp\/v2\/product_tag?post=3972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}